CHRISTINE AND THE QUEENS CHRIS (English Version) 2x LP NEW VINYL+CD Because Dam 海外即決

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CHRISTINE AND THE QUEENS CHRIS (English Version) 2x LP NEW VINYL+CD Because Dam
(CHRISTINE AND THE QUEENS CHRIS (English Version) 2x LP NEW VINYL+CD Because Dam)

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※アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。

Store Categories HIP HOP FUNK / SOUL DUB/REGGAE/DANCEHALL EXPERIMENTAL/IDM DOWNTEMPO DUBSTEP/GRIME SERATO CONTROL VINYL HOUSE TECHNO INDYTRONIC SYNTHWAVE/80'S/INDUSTRIAL UK BASS/FUTURE GARAGE/UKF GLITCH HOP AMBIENT/DRONE BATTLE BREAKS/ACAPELLAS DISCO ELECTRO/BREAKS GHETTO TECH/JUKE/FOOTWORK PROGRESSIVE/TRANCE DRUM N' BASS BREAKCORE ROCK POP PUNK METAL JAZZ SOUNDTRACKS CHRISTINE AND THE QUEENS CHRIS (English Version) / 2x LP NEW VINYL+CD / Because 2018 Gatefold Jacket， English version CD album included - At the close of 2016， it was announced that Christine and the Queens’ Chaleur Humaine was the UK’s biggest-selling debut album of the year. It’s worth remembering how unlikely that seemed. We live in an era in which the gatekeepers of mainstream success seem bound to ensure that anything too smart， interesting or strange gets shunted to the margins. It’s there， in the hinterlandswhere you have to make do with rapturous column inches in lieu of actual salesthat you might reasonably have expected to find a pansexual French androgyne such as Hlose Letissier using fine-boned electronic pop to explore her self-confessed “obsession with having a dick and being a man”. Watching the short film released to accompany Chaleur Humaine’s follow-up， Chris， one does wonder whether international success on a scale at which Madonna wants to be seen with you and noticeably less-interesting pop stars are ripping you off caught Letissier on the hop: “Everything happened to me as a benediction and slow poison，” she says. “Admiration and money. I’ve been seen dancing a lot， now it’s time to see me react.” Said reaction involved abandoning recording sessions with Mark Ronson and Damon Albarn to write and produce her second album herself， and the creation of an alter-ego called Chrismuscular and masculine， her hair in a schoolboy crop， a love bite on her neck. This persona was unveiled to the world on Girlfriend， which may well be the best pop single this year. It’s audibly inspired by early 80s post-disco boogie， sophisticated and subtly shaded， but possessed of the same heady effortlessness as Daft Punk’s Get Lucky. The lyrics， meanwhile， are at odds with the faintly apologetic air of Chaleur Humaine’s big hit， Tilted: “I am naturally good， can’t help it if I’m tilted” is replaced by the swaggering self-aggrandisement of “boys are loading their arms， girls gasp in envy” and offers to “make your girl come”. It sets the tone for the rest of the album. There’s a tendency to write about Christine and the Queens as if listening to her is worthy， the musical equivalent of eating chia seeds. It’s an understandable response， given Letissier’s penchant for quoting structuralist philosophers in interviews and touching on hot-button topics in her lyrics. In 40 minutes， Chris touches on female agency， mental health， sex work， the complexities of sexuality and the negative response afforded those who refuse to fit defined gender roles. These are all clearly important and timely things to be singing about， and Letissier has a way of addressing them with impressive economy. She never lets her righteous anger slip into lecturing or cloud her way with a succinct and powerful line: “Some of us had to fight for even being looked at right”; “I am done with belonging.” But the furrowed-brow response doesn’t communicate what an unalloyed joy her music is: how it never seems like hard work， no matter how thorny its themes. Like Girlfriend， the rest of Chris harks back to the early 80stellingly， a period when the charts were populated by the queer， transgressive and ostensibly marginal. Its main currency is the kind of beautifully turned pop-soul that emerged post-disco. You don’t need to see her dancing to work out that Letissier is a fan of Michael Jacksonbut you also catch an occasional echo of Scritti Politti’s pillowy white funk， not least on opener Comme Si， and， on Feel So Good， the clank and grind of both Jam and Lewis’s work on Janet Jackson’s 1986 album Control and the Art of Noise’s sample-mad dance music. She just writes fantastic songs: the melody of 5 Dollars is perfectly poised between sweetness and melancholy; What’s-Her-Face frames a lyric about self-loathing with an ominous cloud of electronics; Damn (What Must a Woman Do?) conjures a crowded dancefloor at 4am so effectively you can virtually feel the perspiration dripping from the ceiling. It is an album about pop music as much as any of the other topics it addresses. Or rather， about a belief in pop music as something more than ephemeralas a vehicle for ideas， a space in which you can transform yourselfin an era when pop is supposed to have lost its longstanding hold over its audience， when it’s not supposed to amount to much more than a pleasant soundtrack or minor distraction. Get it right， Chris implies， and it can still be powerful. A1 Not For Radio 3:22A2 Cops Shot The Kid 2:47A3 White Label 2:58A4 Bonjour 3:21B1 Everything 7:32B2 Adam And Eve 4:10B3 Simple Things 2:19 Track List Customer satisfaction guaranteed! Top Notch Service Over 40K positive feedback! 99.9% positive feedback rating! Making Ebay buyers happy since 2005! Multiple item shipping discounts available Purchase your items but request a total before you pay. Visit earcandymusic.biz for 15% lower prices. Come visit us at our store in Missoula， MT.

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7827円CHRISTINE AND THE QUEENS CHRIS (English Version) 2x LP NEW VINYL+CD Because Dam 海外即決その他スキル、知識Christine and the Queens